“Leave the World” Review on Netflix | Review | Review | Leave the World | Ethan Hawke | Kevin Bacon | Video | Skip – Enter

Twenty-three years after winning the Oscar for “Erin Brockovich” and 33 years after she left her mark on millions of men and women on the planet with the romantic comedy classic titled “Pretty Woman.” Julia Roberts More than 220 million Netflix subscribers are presented with a completely different plan, but it will certainly have an interesting impact.

The 56-year-old actress plays “Leave the world”, a seasoned apocalyptic drama directed by Sam Esmail. It is a 2021 film adaptation of the novel by Ruman Alam. In the 138-minute film, Roberts plays Amanda Sandford, a desperate publicist who from one moment to the next gives her husband and children a vacation in a beautiful beach house that turns into a “holiday from hell,” without imagining it to be something magical.

Meera: Up to 57% off. At its best entertainment. All ads can be found here

Everything is ready to quickly establish comparisons in Sam Esmail’s film. Not even five minutes into the story, Amanda has already dared to say that she “hates everyone,” while her husband, college professor Clay Sandford (Ethan Hawke), is a gentle, friendly, and accommodating man. In the second line, the teenage son, Archie (Charlie Evans), exhibits the pragmatism and selfishness characteristic of many teenagers. Something completely different is happening with the best one in the house of little Rose (Farrah McKenzie), “the only thing that can make her happy” who is glued to the airings of the sitcom “Friends”.

Each of these four little worlds that make up the Sandford family rests on the beach, where the first of many unusual incidents we will see occur. This chain of events opens with the appearance of an enormous ship sailing mere centimeters away from our protagonists. Home stay, ‘blackout’ leaves holidaymakers without internet. Nothing seems to worry them until GH Scott (two-time Oscar winner Mahershala Ali) and his daughter Ruth (Myhala) knock on the door. They both left an opera and the aforementioned incident halted their plans to return to the city, so they decided to ask their ‘tenants’ for help.

Easily recognizable as an apocalyptic proposition, “Leave the world” does not envision an epidemic of some novel virus capable of altering the physiology of the planet’s inhabitants or, worse, making them disappear. The story here is more connected to the consequences that a ‘technological chaos’ could unleash around the planet. At the beginning, of course, at the level of each protagonist. Rose suffers because the TV is unresponsive and she can’t watch “Friends.” Clay has lost the ability to drive to the nearest ‘town’ using GPS guidance. Amanda, for her part, has completely lost her cell phone signal.

Alongside these ‘mild’ discomforts, Sam Esmail’s film offers a series of minor supernatural elements: a herd of deer around the Sandfords’ beach house; A flock of flamingos invades the pond on a night when it looks like rain is about to break the sky. Taken together, these revelations give more tension to the disoriented and fearful characters, stripped of all their technological tools.

As Amanda (Roberts) plays the lead role for most of the film, G.H. Not only the area where his house is located, but this character has undeniable control over the most complex situations of the plot. “I want to know if you’re on my side for what’s to come“, he tells Clay at one point, who plays an almost entirely passive role on the opposite side, almost a spectator at times.

The continuation of these supernatural occurrences and the revelation of certain details about the ‘technological blackout’ – rather than giving peace to our characters, at times seem to push them to the limit – follow a path parallel to what could have been. ‘Drama’. Employees’ at the location. At first, not knowing who knocked on her door, Amanda reacts suspiciously and sternly when she is now asked to ‘go back home’ (GH Scott). Not only does he look bad, but he treats Ruth almost with contempt, a young woman who is intelligent and mature enough to know how to behave at the right time. Archie tells his sister, “You’d better find something else to make you happy,” revealing the underlying tension when she expresses her sadness that she won’t be able to see the end of the “Friends” episode.

Meera: Concerts, plays, circuses, movies and more with up to 50% off. Find your ads

Exposure to unexpected events can create all kinds of reactions in humans. Amanda and Ruth surprisingly scream furiously at a herd of deer that they believe is a threat to their lives. Clay, on the other hand, doesn’t hesitate to speed up his car when a stranger screams for help in the middle of the road. The same character, but already with GH, the stars really soaked in a moment. In an urgent search for medicine, they arrive at the home of Danny (Kevin Bacon), a townsman who ‘anticipated’ the emergency, gun in hand, to protect what he could only afford “for his own people”.

While we may get lost in the mix of natural realities and the effects of ‘technological banality’, one cannot help but feel the political tone of Sam Esmail’s film. Danny – notably played by Bacon – asks the audience to walk away from his front door and talk to him in the ‘car’. But the news doesn’t stop there: there’s an American flag outside his house, an element that might seem commonplace, but, if the character goes along with the barrage of assumptions that come out of his mouth, it’s the result of misinformation. Exposed, a ‘capital storm’ (“Nothing makes much sense now. I can reason when the world doesn’t understand, and that will protect my people“).

Finally, perhaps a bit distant from the political, but not from the personal/societal, Amanda (Roberts) and Clay (Hagg) also contribute to the question of society, first, with ‘I’ being first, second and third among her priorities (“We screw each other up all the time and think it’s okay because we use paper straws and order free-range chicken.“) and, finally, it suffers from an over-dependence on technology (“I can’t do anything without my cell phone and GPS. Useless!“).

Although this seems to stretch a bit further than necessary, it always presents situations that are not well organized, “Leave the world” is a perfect take on how modern society can react to situations that only appear in novels today.

happily